Artistic collaborations artistiques
- QBBQ (Queer BB Quebec) with Nik Forrest, Anne-F Jacques & Jen Leigh Fisher (2024)
- DOIS with Fernando Belote, Montreal, 2018
- Grey Noize with Nik Forrest, 2018
- KIMURAKAMI with Camille Käse, 2018
- Qouleur (2012-2014), Montréal
- Orientity with Adel KSK, Jane Jin Kaison, Haji Oh, Raymond Hahn , 2004
- OKAYbook with kate-hers RHEE, 2001
- Han Diaspora with Hijoo Son
- Kim Lee Park (KLP) with kate-hers Rhee & Hwalan, 1999
- KameleonZ with Jisun Sjogren, Vincent Sung, Hyuna Park, Jee Young Joo, Bo Whang, Lee Sang-Eun, Ines Cho, 1996
키무라 별 르무안의 작품은 영화관에서 축제, 갤러리에서 대체 예술 공간에 이르기까지 다양한 맥락에서 국내외에서 전시, 상영, 출판 및 지원되고 있습니다.
Zer첫 번째 영화 입양은 “유럽에서 젊은 오늘”경쟁 (1988)을 수상을 받았습니다. Ze는 MAI의 멘토링 프로그램(2014-2015), 라 센트럴의 파워하우스 상(2016)의 수상자였으며, 2017년에는 몬트리올 영화 레지던시(ONF/ACIC, Conseil des Arts de Montréal)를 수상했습니다. 이 출판사는 한국인 작가들의 글에 초점을 둡니다. Ze는 미디어와 예술을 통해 입양인의 문화 역사를 기록하는 ACA (입양인 문화 기록 보관소)를 설립하고 계속 일하고 있습니다.
kimura byol lemoine (키무라 별 르뫈 – 木村 ビヨル レムワンー) is a conceptual multimedia feminist artist who works on identities (diaspora, ethnicity, colorism, post-colonialism, immigration, gender), and expresses it with calligraphy, paintings, digital images, poems, videos and collaborations. kimura*lemoine’s work has been exhibited, screened, published and supported nationally and internationally. as curator, has developed projects that give voice and visibility to minorities.
kimura*lemoine, as a Korean-born adoptee, is co-founder of Euro-Korean League (1991, Belgium), EKL-Korea Branch (1994, S/Korea), K.O.A (Korean Overseas Adoptee, 1996-now, Korea), KameleonZ (1996-1996, S/Korea), KimLeePark (1998, S/Korea) G.O.A’L (1998, S/Korea), O.K.A.Y.-Books (2001-2008, S/Korea-Canada), Orientity (2004-2007, worldwide), N.O.K.I.A.A. (Network of Korean International Adoptee Artists, 2010), A.Q.A (Asians/Autochtones/Afro-descendants Queer Adoptees, 2007), and zer latest contributions to the inter-racial adoptee community is A.C.A (adoptees cultural archives, 2015) to document the history of adoptee’s culture through media and arts, K.A.R.M.A (2018, Korea), and is part of IbyangIN (Korean adoptee activism, 2021), OKAP (Overseas Korean Art Project, 2023) FKRG (francophones news on Korean adoption, 2024).
As an artist, kimura*lemoine won the Grand Prize at ‘Être jeune en Europe’ Contest (Brussels International Super 8mm & Video Film Festival, 1988), the 1st Prize for zer script ‘To You Korean, Mother Nation’ (Seoul 1st International Documentary Film Festival, 1996), le PowerHouse Prize (La Centrale , 2016), grants from Montréal Arts Interculturels, Regard sur Montréal (CAM, ONF, ACIC), 88 etc, (CALQ, 2018) and from CAC (‘ ConnexiOnze ‘, 2020 | Queering Qualligraphy, 2022 | Corée-Canada, 2023 ). kimura*lemoine has exhibited at L’arsenale (Art souterrain, 2019), Dazibao (Montréal, 2020), Bradley Ertaskiran (2020), ( Fondation PHI , 2021). Ze has developped work at art residencies (Home, Berlin, 2012 | Fondation PHI, 2020 | Studio XX, 2015 | La Centrale, 2018 | Dare-Dare, 2022 | Coréanie, Paris, 2023 | UVIC, 2024, Oboro, 2025, etc.). Among other, ze has published 55% Korean (Essay, Gimyoung Publishers, 2000), #6261 (B & D Press, 2016), Cho Mihee – Nathalie Lemoine – kimura byol (Dazibao, 2020), etc.
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kimura byol lemoine (키무라 별 르뫈 – 木村 ビヨル レムワンー) est un.e artiste conceptuel.le féministe en multimédia principalement la vidéo, calligraphie pop art, écriture et des collaborations qui de par son vécu, questionne indéniablement la binarité du genre, la perception des identités des genres, raciale, la linguistique dans la « perte » volontaire ou involontaire par traduction et les corps comme objet commercial. En donnant une voix et une visibilité aux minorités, l’archivage des récits est une façon de redonner la crédibilité d’une mémoire non eurocentrique sur les identités.
kimura*lemoine, est militant.e, co-fondateurice de l’Euro-Korean League (1991, Belgique ), EKL-Korea Branch (1994, Corée du Sud), K.O.A (Korean Overseas Adoptee, 1996-maintenant, Corée), KameleonZ (1996-1996, Corée du Sud), KimLeePark (1998, Corée du Sud) GOA’L (1998, Corée du Sud), OKAY-Books (2001-2008, S/Korea-Canada), Orientity (2004-2007, global), NOKIAA (Network of Korean International Adoptee Artists, 2010), AQA (Asiatiques/Autochtones/Afro-descendant.es Adopté.es Queer, 2007), et ses dernières contributions pour la communauté des adopté.e.s à l’international et interracial : ACA (archives culturalles des adopté.es, 2015). Yel.le archive l’histoire des adopté.s à travers la culture (médias et arts), KARMA (2018, Corée du Sud), et est impliqué.e avec IbyangIN (militantisme des coréen.ne.s adopté.e.s, 2021), OKAP (Overseas Korean Art Project, 2023) FKRG (archives médiatiques/recherches francophones sur l’adoption sud-coréenne, 2024).
en tant qu’artiste, kimura*lemoine a reçu le 1er prix de la compétition ‘Être jeune aujourd’hui en Europe’ (Bruxelles, 1988), le prix du meilleur scénario pour To You Korea, Mother Nation (1st Seoul International Documentation Film Festival,1996), Prize PowerHouse (La Centrale, 2016), des bourses du Montreal Arts Interculturels (Regard sur Montréal, CAM, NFB, ACIC, 2016), du CALQ (project ’88 etc, 2018) et du CAC (ConnexiOnze, 2020 | Queering Qualligraphy, 2022 | Corée-Canada, 2023). kimura*lemoine has exhibited at L’arsenale (Art souterrain, 2019), Dazibao (Montréal, 2020), Bradley Ertaskiran (2020), (PHI Foundation, 2021), Yel.le développe des travaux conceptuels avec des résidences artistiques (Home, Berlin, 2012 | Fondation PHI, 2020 | Studio XX, 2015 | La Centrale, 2018 | Dare-Dare, 2022 | Coréanie, Paris, 2023 | UVIC, 2024, Oboro, 2025, etc.). kimura-lemoine publie notamment 55% Korean (Essai, Gimyoung Publishers, 2000), #6261 (B & D Press, 2016), Cho Mihee – Nathalie Lemoine – kimura byol (Dazibao, 2020), etc.
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star~kim project (kimura byol lemoine) 